As December crawls to its icy close, my favorite time of the year begins anew: List-Making Season! This year I am joined in my cinematic contemplation by the vivacious, wife-shaped Maggie Lyon and professional mind hermit Michael Polizzi, as well as illustrious Messrs et Mesdames Singer, Anderson, Broad, Wang, Sweeney, Zambenedetti, Kerpius and Hauske - please visit them all and marvel at their volubility and terrifying sexual potency!
As a devotee of international (and particularly Asian) cinema, I surprised myself this year by selecting films almost entirely from English-speaking directors. For me, the year was defined by this Occidental resurgence, and career-defining films from some of the West’s finest directors. It was a banner year at the pictures and choosing a top ten was more painful and arbitrary-seeming than usual; my top two in particular are interchangeable in my affections. Here then without further ado are the best from a very good year indeed.
Mike Lyon - The Best of Aught-Seven

1.
There Will Be Blood (Paul Thomas Anderson)
2.
No Country For Old Men (Joel & Ethan Coen)
3.
Once (John Carney)
4.
The Darjeeling Limited (Wes Anderson)
5.
Paprika (Satoshi Kon)
6.
The Diving Bell and the Butterfly (Julian Schnabel)
7.
Eastern Promises (David Cronenberg)
8.
Exodus (Pang Ho-Cheung)
9.
Grindhouse (Robert Rodriguez & Quentin Tarantino, et al.)
10.
The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik)
Eleven Through Twenty
Southland Tales (Richard Kelly)
Juno (Jason Reitman)
30 Days of Night (David Slade)
Lust, Caution (Ang Lee)
Ratatouille (Brad Bird)
3:10 to Yuma (James Mangold)
Aqua Teen Hunger Force Colon Movie Film For Theaters (Matt Maiellaro & Dave Willis)
Flash Point (Wilson Yip)
Hot Fuzz (Edgar Wright)
Secret Sunshine (Lee Chang-dong)
Maggie Lyon - The Best of Aught-Seven

1.
No Country for Old Men (Joel & Ethan Coen)
2.
Once (John Carney)
3.
The Diving Bell and the Butterfly (Julian Schnabel)
4.
Eastern Promises (David Cronenberg)
5.
There Will Be Blood (Paul Thomas Anderson)
6.
Paprika (Satoshi Kon)
7.
Ratatouille (Brad Bird)
8.
Hot Fuzz (Edgar Wright)
9.
Grindhouse (Robert Rodriguez & Quentin Tarantino, et al.)
10.
Juno (Jason Reitman)
Michael Polizzi - The Best of Aught-Seven

1.
There Will Be Blood (Paul Thomas Anderson)
-”Gnaw on a charred steak– the new Bible is written in Oil.”
2.
No Country For Old Men (Joel & Ethan Coen)
-”If the movie was just the shot of the injured dog through the binoculars this would be my #1 forever– further impaired by having read the book before I saw the movie.”
3.
Eastern Promises (David Cronenberg)
-”How can a movie this sincere and tight also be a giant wink and nudge? Cronenberg might be going from the world’s best creature creator to the world’s greatest tailor- he can cut any cloth to his shape.”
4.
The Bourne Ultimatum (Paul Greengrass)
-”Sweet god Paul Greengrass nailed the action sequences in this movie– a couple small plot points stick in my craw, but the direction, camera work & absenteeism acting in this is undeniable gold.”
5.
The Darjeeling Limited (Wes Anderson)
-”Wes Anderson shows the tiger, at last, a little reality for every cock-eyed dream goes a long way. Holy fools and their Porsches!”
6.
The Diving Bell and the Butterfly (Julian Schnabel)
-”Points off for using Pale Blue Eye and Tom Waits’ All the World is Green in the soundtrack, but the opening play with focal planes and pink eyelid flutters is too gorgeous to ever watch on the small screen.”
7.
Zodiac (David Fincher)
-”Fincher’s highly aestheticized case file– great play between photographic coolness, symmetrical framing & obsession.”
8.
Before the Devil Knows You’re Dead (Sidney Lumet)
-”For making the every day implausible plausible, wrenching & horrible pillow killing excellence.”
9.
Grindhouse (Robert Rodriguez & Quentin Tarantino, et al.)
-”Tarantino, how did you manage to fuck this one up?! Take out all of the dialogue & shitty-shitty acting from the second half of Death Proof and we have a #1.”
10. Alejandro Jodorowsky Re-Issuse -
El Topo &
The Holy Mountain
-”The height of late 60’s/early 70’s spiritual pretension. Fantastic humane surrealism. Does Bunuel better than Bunuel. The sets & set pieces in
Holy Mountain fry Matthew Barney in his own Vaseline.”
Honorable mentions: Black Book, Walk Hard, Superbad, Knocked Up, Michael Clayton.
Movies I wanted to see but missed in the theater: Rescue Dawn, I’m Not There, Lust, Caution, Control, Zoo, 3:10 to Yuma, Broken English, Into the Wild, Sleuth, In the Valley of Elah, The Ten, The Assassination of Jesse James by the Coward…